You can move to a new event photo platform without breaking guest access, but only if you treat every old link as permanent. Export the photo files, keep the old galleries live for 60 to 90 days after the new platform goes live, and accept that face matching data and per-guest match history do not carry across, so guests take a fresh selfie on the new platform. The part that actually breaks migrations is not the photo export, it is a QR code already printed on badges and signage, pointing at a vendor domain you do not control.

Key takeaways
  • Face matching data never transfers between event photo platforms. Each platform generates its own private mathematical signature of a guest's face and stores it in a format of its own, so on the new platform a guest takes one fresh selfie and is matched straight away.
  • Keep the old galleries live for 60 to 90 days after the new platform goes live, because gallery links forwarded through WhatsApp groups and pasted into LinkedIn recaps keep circulating after the contract ends.
  • Printed QR codes are the one irreversible part of a migration: a code printed on lanyard badges or on a reusable annual conference banner encodes a fixed URL that cannot be changed after printing.
  • Before cancelling the old account, screenshot the view and download analytics for sponsor reporting, and ask in writing for confirmation that photos and face matching data have been deleted, including the backup retention window.
  • A shared Google Drive or Dropbox folder is about as portable as event photos get: no gallery vendor in the relationship, and no expiry for as long as you pay for the storage. Eventiere's free plan expires galleries after 30 days, which covers a live event and the days after it.

The photo library is the easy part. The hard part is every place that old link already lives. Your old platform's dashboard lists the galleries it hosts; the pasted, forwarded and printed copies of that URL sit outside it. Spend the first afternoon building that list, because it decides which of the four migration approaches below you can afford.

Some surfaces are easy to miss. Search your own website for the vendor's domain, search your sent mail for the same string, and ask marketing and the sponsorship lead, because they publish links you never see.

Anything printed is frozen. Everything digital you control can be updated in an afternoon. Sort your list into those two piles first.

Four ways to move event photo platforms, compared by what you pay for and by risk to links already in guests' hands.
ApproachWhat guests experienceWhat you pay forRisk to existing linksBest for
Hard cutoverOld links stop working from the day you switchOne platform at a time, no overlapHighInternal all-hands and training days where the only link went out in a single email thread
Parallel runOld galleries keep working while new events publish on the new platformBoth platforms through the 60 to 90 day overlap, so two or three extra months on the old oneLowAnnual conferences and awards nights with signage and badges already in circulation
Archive freezeOld galleries stay reachable on a read-only or cheapest tier, nothing new is addedOne reduced tier on the old platform, kept open indefinitelyVery lowAgencies holding two or three years of client galleries they are contractually unable to delete
Forward-onlyNothing moves; the new platform starts with the next eventThe new platform only, with no migration workNone, old links simply stay where they areTeams whose old galleries have stopped receiving meaningful visits in their own analytics

Four ways to move, ranked by how much guest access you risk

There are four approaches, set out in the table below in order of risk: hard cutover, parallel run, archive freeze and forward-only. Migrating everything is the expensive default, worth testing first. Open your old platform's analytics and look at which galleries are still receiving visits, the only evidence about your own events that anyone has. The way that traffic concentrates around the event is the mechanism behind the 24-hour social window, and the reason long-tail archive access is worth less than it looks.

Match the approach to where your links live. If nothing was ever printed and the only link went out in one internal email thread, a hard cutover is fine. If you run an annual conference with reusable signage, a hard cutover puts every printed code on a dead URL, and a parallel run is the honest cost of the switch.

What transfers between platforms, and what never does

Expect the photo files to come across, and plan to rebuild everything else by hand. Before you export, check the pixel dimensions of what you get back against the originals, because some exports contain only the display copy, which shows up when a file goes to print. The safer source is your photographer's delivery drive. If the only surviving copy of an event's photos is on a vendor's servers, that is a bigger problem than the migration you are planning.

Under the UK and EU GDPR, matching faces to identify individual guests is special category processing, and at an event explicit consent is the workable basis. The UAE and Saudi personal data protection laws and India's DPDP Act also require consent for this processing, with different definitions and notice rules, so check the wording against the country the event is held in. Whichever regime applies, the consent your guests gave covered a specific processing arrangement, described in a notice that named a specific processor. Swap the processor and that notice is out of date.

The clean answer is to re-notice and re-ask on the new platform, which is lighter than it sounds: a guest arriving at a migrated gallery takes one selfie, is matched straight away, and consent is captured at that moment with a current notice behind it. The cost is one extra step for guests who already found their photos once, a further argument for migrating only the events still receiving visits. Our event photo consent guide and GDPR and facial recognition at events cover the notice wording.

Printed QR codes are the only genuinely irreversible part

A QR code is a fixed string. Once it is on the badges, the roll-up banner and the table cards, the destination is set for the life of those objects. If that string is oldvendor.com/your-event, you have exactly one option: keep the old gallery alive until every printed item is out of circulation. For a one-off gala that is a few weeks. For an annual conference, the signage lives in a storage crate between editions and comes back out still carrying the old URL.

The fix takes an afternoon if you already own a domain, and it only helps you next time. Print QR codes that resolve through an address you control, such as photos.yourbrand.com/summit26, and point that address at whichever platform you are using. Change vendor later and the whole job is one redirect rule. If you are still deciding how guests reach their photos, QR code versus selfie search covers the entry point itself.

Before your next print run, insist that every QR code on a physical item resolves through a domain your organisation owns. That one rule removes the hardest constraint from any future migration.

Where other tools genuinely beat an event platform

An honest point, because it changes what you migrate. A shared Google Drive or Dropbox folder is about as portable as event photos get: there is no gallery vendor in the relationship at all, and no expiry while you pay for the storage. It has no selfie search, no per-guest album and no sponsor analytics, so it loses badly on the day of the event. As a cold archive it wins, and that trade-off is set out in Google Drive versus AI photo delivery.

Photographer gallery tools are a different category again. That category is sold as ongoing storage subscriptions, so a gallery stays reachable while the subscription is paid, and the storage allowance decides how many years you can keep up. Pixieset and Pic-Time are the two names to price up against that requirement, from their own pricing pages. Event platforms, Eventiere included, are built around the event and the days immediately after it. Our free plan gives you three events, 300 photos in total and 100 photos per event with no credit card, and expires galleries after 30 days; our paid plans are quoted per event. If your requirement is keeping four years of galleries reachable, an event platform is the wrong tool.

A four-week plan, and what to get in writing before you cancel

Do this in your quietest four weeks, whenever those fall in your calendar. What you need is a window with no live event on top of you, and four weeks is enough if you keep the scope honest.

Go-live is the end of Week 3, Day 21 of the plan, when the new links go public. The 60 to 90 day overlap runs from that date, so the earliest you can close the old account is Day 81 and the full 90 days takes you to Day 111. The single rule that saves migrations: never cancel inside 60 days of launching the new one. Overlap costs you two or three more months on the old platform, and even counted from Day 1 of the plan the double-paying stretch is under four months. Cancelling early costs you every circulating link at once, with no way to get them back.

Frequently asked questions

Will guests lose access to their photos if I switch platforms?
Only if you close the old account. Old gallery links keep working for as long as the old platform hosts them, so run both in parallel for 60 to 90 days after go-live and publish the new links in fresh communications while leaving the old ones alone. Guests who follow an old link land on a working gallery; guests who arrive through your new channels land on the new one.
Can I transfer face recognition data to a new platform?
No. Face matching works from a private mathematical signature of a guest's face, and every platform generates and stores that signature in a format of its own, so an export would be meaningless to the next one - and you should not want to receive another company's biometric records. On the new platform a guest takes one fresh selfie and is matched straight away.
What happens to QR codes we have already printed?
They cannot be changed. A printed code encodes a fixed URL, so if it points at your old platform's domain, the only option is to keep that gallery alive until the printed items are out of circulation. Reusable annual signage is the real trap, because it comes back out of the storage crate for the next edition with the old URL still on it. From your next print run onward, use a QR code that resolves through a domain you own so you can repoint it.
Do I need to ask guests for consent again on the new platform?
Yes, in practice. Under the UK and EU GDPR, matching faces to identify individual guests is special category processing, and at an event explicit consent is the workable basis. The UAE and Saudi personal data protection laws and India's DPDP Act also require consent for this kind of processing, with different definitions and different notice rules, so check the wording against the country the event is held in. The notice your guests agreed to described a specific processing arrangement, so the clean approach is to re-notice on the new platform and capture consent at the point a guest takes their selfie.
How long should I keep the old platform running?
60 to 90 days after the new platform goes live, and longer while printed QR codes are still in circulation. On the four-week plan above, go-live is Day 21, which puts the cancellation date between Day 81 and Day 111. Before you cancel, screenshot the view, download and share analytics: those numbers exist only inside the old account, so once it closes there is no way to produce them for a sponsor report.
Is it worth migrating old galleries at all?
Usually not all of them. Migrate the events still receiving visits, which you can check in your old platform's own analytics before you export anything, and freeze or leave the rest where they are. Keep your master copies in your own storage so the question never depends on a vendor again.
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